The New Yorker: The Critics: Dancing - Joan Acocella
The New Yorker: The Critics: Dancing
"New roles, serious roles—roles that the dancers can imagine are about them—mean everything to a company. Wheeldon, in his ballets, is telling his colleagues that they are artists, souls. Not just at N.Y.C.B., but throughout ballet in this country, nothing is more desperately needed."
"New roles, serious roles—roles that the dancers can imagine are about them—mean everything to a company. Wheeldon, in his ballets, is telling his colleagues that they are artists, souls. Not just at N.Y.C.B., but throughout ballet in this country, nothing is more desperately needed."

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